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"Sweet Home Chicago" (Buddy Guy, Eric Clapton, Johnny Winter, Robert Cray, Hubert Sumlin...)

"Sweet Home Chicago" is a popular blues standard in the twelve bar form. It was first recorded and is credited to have been written by Robert Johnson. Over the years the song has become one of the most popular anthems for the city of Chicago despite ambiguity in Johnson's original lyrics.

Sheet music

Sweet Home Chicago - Eric Clapton


Buddy Guy


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B. B. King - The Thrill Is Gone (Live at Montreux 1993)
B.B. King is the greatest living exponent of the blues and considered by many to be the most influential guitarist of the latter part of the 20th century. His career dates back to the late forties and despite now being in his eighties he remains a vibrant and charismatic live performer. B.B. King has been a frequent visitor to the Montreux festival, appearing nearly 20 times, so choosing one performance was no easy task. This 1993 concert will surely rank as one of his finest at any venue. With a superb backing band and a great set list its a must for any blues fan. The thrill is gone The thrill is gone away The thrill is gone baby The thrill is gone away You know you done me wrong baby And you'll be sorry someday The thrill is gone It's gone away from me The thrill is gone baby The thrill is gone away from me Although, I'll still live on But so lonely I'll be The thrill is gone It's gone away for good The thrill is gone baby It's gone away for good Someday I know I'll be open armed baby Just like I know a good man should You know I'm free, free now baby I'm free from your spell Oh I'm free, free, free now I'm free from your spell And now that it's all over All I can do is wish you well
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Muddy Waters - They Call Me Muddy Waters - ChicagoFest 1981
In August of 1981, when the undisputed king of Chicago blues headlined ChicagoFest — then the Windy City's top outdoor music festival — for two nights, his loyal subjects mobbed Navy Pier on the lakefront to hear one of the greatest innovators the idiom had ever produced. Muddy Waters led the charge in the late 1940s and early '50s to electrify Delta blues in an urban setting. His peerless combo would include such future stars as ace guitarist Jimmy Rogers, harmonica virtuoso Little Walter and piano wizard Otis Spann. But Muddy was always at the center of the action. His gruff, authoritative vocal delivery and slashing slide guitar define the purest form of postwar Chicago blues. Waters' charisma was as immense as his musical vision. Born April 4, 1915, in Issaquena County, Mississippi, McKinley Morganfield learned the blues while sharecropping on Stovall Plantation. One guitarist particularly influenced him. "I never seen a man could play at that time as good as Son House, to me. With that big voice he had, he could sing," said Muddy. "He was preachin' the blues then, and I thought he was the best in the world." In late August of 1941 musicologists Alan Lomax and John Work rolled into Coahoma County in search of rural gospel and blues talent. They made field recordings of Muddy, with Lomax returning the next year to cut more. But those were for the Library of Congress. It was only after Muddy migrated north in 1943 that he pursued a career as a professional bluesman. "As soon as I decided to leave, my mind said, 'Go to Chicago!'" he recounted. "So I came." Pianist Sunnyland Slim introduced Muddy to Leonard Chess, then with the fledgling Aristocrat label, in 1947. Waters cut a few small combo sides for the label before reverting to his Delta slide attack the following year on "I Can't Be Satisfied" and "I Feel Like Going Home," his first hit. "When I did them two sides, that's the sides they went nuts over," said Waters. "I had a band in less than a week," Muddy remembered. "Mojo Buford — he was with me before, the harp player — said, 'I'll get you some boys that'll cook just like that.' He called in about two or three days. He said, 'I'm gonna bring 'em over and let you listen to 'em.' Just that fast, I had a band!" Buford was joined by guitarists John Primer and Rick Kreher, pianist Lovie Lee, bassist Earnest Johnson and drummer Ray Allison. They all instinctively understood Muddy's groove. After "Mannish Boy" gets the festivities off to a rousing start, Muddy counts off romping shuffles for the ChicagoFest throng, rolling through Jimmy Reed's "You Don't Have To Go," Big Joe Williams' "Baby Please Don't Go," Slim Harpo's "I'm A King Bee" and his own 1955 gem "Trouble No More." For the luxuriantly downbeat "They Call Me Muddy Waters," he peels off a slide solo that makes the hair on the nape of your neck stand up in silent salute. In the midst of his rollicking "Walking Thru The Park," Muddy brings out fleet-fingered guitar wizard Johnny Winter, producer of his 1977 "comeback" album Hard Again. "We met back in the '60s in Austin, Texas," recalled Muddy. "He was one of the young white kids who was really deep into it." Johnny sings "Going Down Slow" before Waters blasts out a swaggering "She's Nineteen Years Old," boasting another jaw-dropping slide ride. Winter takes over again vocally for a grinding "You've Got To Love Her With A Feeling" that morphs into "Five Long Years" when local luminary Mighty Joe Young strolls up to the mic, Big Twist following that with a few special lyrics for the occasion. Muddy brings it all to a close with a rousing "Got My Mojo Working." "To stay with this music, you got to live with it. Sometimes you might be a little hungry, but you got to stay with it. I've been where I couldn't get the right food a lot of times. My icebox wasn't full, you know?" said Muddy, who passed away not long after this show on April 30, 1983. "I'm glad it was like that. So when I got to the point that I could get what I want, I think I enjoyed it better." It's hard to tell who enjoyed those two evenings at ChicagoFest more — the crowd, his pals onstage or Muddy himself. — Bill Dahl
Stevie Ray Vaughan - Lenny (from Live at the El Mocambo)
Music video by Stevie Ray Vaughan performing Lenny. (C) 1991 Epic Records, a division of Sony Music Entertainment